El Chorruelo. Bulerías. Paco de Lucía. Luzía 1/2. = Standard tuning x Falseta 4. Capo. fret 3. 4. 2. 6. 0. (0). 5. 3. 3. 6. 5. 5. (5). 3. 5. 5. 3. 3. El Chorruelo. Bulerías Paco de Lucía Luzía Standard tuning. = x Falseta 4. Capo. fret 3. 0 (0) 6 6 5 5 (5) 2 3 3 3 5 5 5 5 5 4 5 5 3 3 5 7 5.
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Lucoa trees catch a lot of wind! Because i can see that you are a top notch guitarist and teacher. I think that would be a real disrespect no? Yo estoy interesado en sus lecciones y nunca dije lo contrario. Users viewing this topic: Me disculpo en adelantado por no poner acentos mi computadora no me lo deja hacer.
Thats a difficult question.
To advertise on this site please contact us. No at least in my opinion. Actually thats not the case. All art is based on non-conformity. But if we all do that, we will be simply cheap Copies of Paco. Of course you should be in to flamenco and have basic knowledge.
Thats not Flamenco imo. Socrates once said, “I know you won’t believe me, but the highest form of Human Excellence is to question oneself and others. Gerardo Nunez is a Joke? I have recommended them as teachers to many inquiries via email that I have recieved over the years You need assistance in that stage to find a good teacher to avoid learning bad technique and habbit from a self professed wannabe teacher. Of course you need technique, etc.
I mean this would be crazy! Hasta diria que hemos formado una pequena familia todos estos anos. And i don’t think that “taste” and “knowledge” should be seperated in Music. Yo acepto que usted es un muy buen tocaor y una fuente enorme de informacion flamenca.
From there, taste is also an important factor. Specially in Flamenco guitar. Anyways, nice talking to you and thanks for reply. So what is wrong about learning from different teachers, combine things, techniques, combine Styles and finally ADD a little bit of own personality and Style? But to get the best results, everybody should learn as much as one can from as many teachers or better said: The technique of the language, on the other hand, is something that belongs to all who can understand it sorry, what do you mean?
Isn’t that the goal of every musician Amateur or Pro, doesn’t matter? Skilled players are often not good in teaching. Welcome to one of the most active flamenco sites on the Internet. NUTS Crazy mathematical analyses excessive bla bla bla and just 14 lines poor concluding remarks.
Is this a disrespect to Diego? Iran living in Germany. I think you misunderstood Jasons comment, Prof.
Are we thinking about the same guy here? Without that, you won’t be able pqco play what you want and you would be restricted!
Rubin Diaz Lessons
And don’t make it a race. Not only that but disrespectful towards other players For example, now that we spoke of Paco and Diego: Especialmente porque este es un Chorrueol y esta lleno de muy buen guitarristas profesionales y de muy buena gente muchos que tienen un conocimiento del flamenco al nivel de usted.
For example the first part is absolutely correct. We receive 12, visitors a month from countries and 1. On the other hand, you sometimes see some players playing a piece, which at first seams to be easy to play. Its the whole “package” of a musician which counts imo. Arash What shall i do now? For the sake of the forum and for Ruben to keep posting lessons, that’s what I’ll do.
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If so, i apologize. So, pac this a disrespect to Paco? I would like to ask you a question: I think what he meant was that technique is not everything.