Kolumba museum peter zumthor cologne germany archute_32 The “Madonna of the Ruins” – only surviving image after the church bombing. danish photographer rasmus hjortshøj has shared new images of peter zumthor’s kolumba museum in the german city of cologne. The Kolumba (previously Diözesanmuseum, “Diocesan Museum”) is an art museum in The new structure Zumthor built for the museum now shares its site with the ruins of the Gothic church and the s chapel, wrapping a perforated grey.
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As you stand amidst the room with all layers of history exposed, protected by the outer walls that gently wraps everything together, there is a serene calmness and odd timelessness. Its spatial structure was similarly developed from the idiosyncratic ground plan. What they all have in common is the reduced materiality of the brick, zumyhor, plaster and terrazzo in front of which will appear the works of art.
Throughout the history of Cologne, since the earliest Roman settlements, churches have stood on the site where the Kolumba Museum stands today. The collection includes paintings, drawings, prints, sculptures, decorative art and religious icons from Late Antiquity to the present. A place that speaks to all the senses.
The new building develops seamlessly from the old remains whilst respecting it in every detail. You feel the desire shared between client and zumhtor to create something unique, something more than the museum itself. Retrieved from ” https: Columba church, and run by the Archdiocese of Cologne.
Peter Zumthor belongs to a rare breed of architects. The warm grey brick of the massive building musuem with the tuffs, basalt and bricks of the ruins. The work on the project yielded the following reduction: A secret garden, stone ruins, a uniquely dense archaeological site: Zumthot is a fitting end to the narrative of the site and its past, almost like a punctuation mark. In adopting the original plans and building on the ruins, the new building becomes part of the architectural continuum.
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Images of the Kolumba Museum by Peter Zumthor
The highly distinctive narrow staircase pressed between two concrete walls. The walls are windowless apart from the perforations lining the top, casting filtered light into the double height room. A zigzagging pathway guides you through the archaeological excavations between slim concrete columns pinning up the ceiling.
It is located on the site of the former St. The occasion is the new building for the Cologne Diocese Museum, which was established in and which features an extraordinary collection spanning from early Christianity to contemporary art. Built on the ruins of the Gothic Church of St. Icons and religious statues are standing shoulder to shoulder with contemporary art installations — and as if this is not confusing in itself, the visitors are left completely to their own devices, as there is no accompanying text to be found.
Art museums and galleries in Germany Museums in Cologne Buildings and structures in Cologne Art museums established in establishments in Prussia establishments in Germany.
As with Zumthor himself, the location of most of his works, are notoriously recluse. The items are generally displayed without accompanying text, and in no particular chronological or stylistic order.
Here it becomes very clear — if there was at a point any doubt — that Kolumba is no ordinary museum.
The Kolumba Museum is the exception. Even the handrail is designed by Zumthor. Kolumba allows visitors to immerse themselves in the presence of their memories and offers them their own experiences on their xumthor.
Layers kolumna history at show. Kolumba will be a shadow museum which will evolve only in the course of the day and the seasons.
Kolumba – Wikipedia
The steel frames decorate the brick coat like brooches and segment the monumental facade. The museum was founded by the Society for Christian Art inand taken over by the Archdiocese of Cologne in From Wikipedia, the free encyclopedia. It might appear to be hopeless to reconcile these many layers of history, but it seems Zumthor chose to to see it as a challenge and he has intelligently managed to add to the architectural continuum, while keeping and embracing the pre-existing fragments.
Apart from a series of holes puncturing the facades halfway up and some large, square windows, it appears to be a closed box of slender and neatly aligned light grey bricks. A museum as a garden continually bringing a few alternately selected works of art to bloom. This quest is the precious material for an aesthetic laboratory which studies the anthropological connections lying beyond mere chronology. A place as evocative as it is intellectually and physically stimulating. The guiding thread of the collection is the quest for overarching order, measure, proportion and beauty which connects all creative work.
Its new home, built from —07, was designed by Peter Zumthor and inaugurated by Joachim Meisner. It is one of the oldest museums muuseum the city, alongside the Wallraf-Richartz Museum.
Until it was located near Cologne Cathedral.